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[BUNJANG] Martha Argerich Bach: Toccata, Partita No. 2 & English Suite No. 2 Piano LP / ์•„๋ฅดํ—ค๋ฆฌ์น˜: ๋ฐ”ํ-ํ† ์นดํƒ€, ํŒŒ๋ฅดํ‹ฐํƒ€ 2๋ฒˆ & ์˜๊ตญ ์กฐ๊ณก 2๋ฒˆ/ํ”ผ์•„๋…ธ LP

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Description
## Martha Argerich: Bach - Toccata, Partita No. 2 & English Suite No. 2 (Piano LP)

Experience the mastery of Martha Argerich, a celebrated pianist renowned for her intensity and interpretive brilliance, on this historic recording of J.S. Bach's keyboard works. Originally released in 1980 by Deutsche Grammophon in Japan, this is an original pressing featuring a yellow label.

**Artist:** Martha Argerich (Piano)
**Label:** Deutsche Grammophon (MG 1249)
**Format:** Vinyl, 1LP, Stereo, Yellow Label
**Country:** Japan
**Recorded:** February 5, 1979, Berlin
**Release Date:** March 1980 (Japan DG Original First Press)

### Condition:
* **Sleeve:** Near Mint (NM) to Excellent Plus (EX+)
* **Record:** Near Mint (NM)
* **Playback:** Near Mint (NM)

This record is in excellent condition, with a clean and well-preserved vinyl that plays beautifully. The sleeve also maintains a high grade. This recording captures Argerich's unique approach to Bach, moving beyond the traditional confines of harpsichord or clavichord to fully utilize the expressive capabilities of the modern grand piano, bringing Bach's music to vibrant life.

### Featured Repertoire:

* **Toccata in C minor, BWV 911:** A passionate work from Bach's early period, featuring a free, improvisational opening followed by a meticulously crafted fugue. Argerich's virtuosic speed and clear articulation amplify the dramatic tension.
* **Partita No. 2 in C minor, BWV 826:** A cornerstone of Bach's keyboard suites, beginning with a grand Sinfonia and progressing through various dances. Argerich's dynamic rhythmic interpretation vividly brings out the liveliness of each movement.
* **English Suite No. 2 in A minor, BWV 807:** Characterized by a robust prelude and intricately arranged French-style dances. Argerich's playing is characterized by its clarity and depth, creating a rich sonic tapestry.

### Tracklist:

**SIDE A**
* Toccata in C minor, BWV 911
* Partita No.2 in C minor, BWV 826 (Sinfonia / Allemande / Courante / Sarabande / Rondeau / Capriccio)

**SIDE B**
* English Suite No.2 in A minor, BWV 807 (Prรฉlude / Allemande / Courante / Sarabande / Bourrรฉe I ยท II / Gigue)

This is a significant recording from the pinnacle of analog engineering during the golden age of Deutsche Grammophon, capturing Argerich's signature fiery touch and the rich harmonics of the piano with remarkable clarity and depth.

โ€‹J.S. BACH: TOCCATA BWV 911 ยท PARTITA BWV 826 ยท ENGLISCHE SUITE NO.2 BWV 807
MARTHA ARGERICH, PIANO
[์•„๋ฅดํ—ค๋ฆฌ์น˜: 1965๋…„ ์‡ผํŒฝ ์ฝฉ์ฟจ 1์œ„, ๊ทธ๋ผ๋ชจํฐ ๋ช…์˜ˆ์˜ ์ „๋‹น, BBC ์„ ์ • ์—ญ๋Œ€ ์ตœ๊ณ ์˜ ํ”ผ์•„๋‹ˆ์ŠคํŠธ ์„ ์ •]

โ– ์ƒํƒœ ; ์ž์ผ“ NM~EX+/ ์Œ๋ฐ˜ NM / ์ฒญ์Œ NM
์ž์ผ“ ์ƒํƒœ ์ข‹์Šต๋‹ˆ๋‹ค. ์Œ๋ฐ˜ ํ ์—†์ด ๊นจ๋—ํ•œ ๋ณด์กด ์ƒํƒœ, ์ฒญ์Œ๋„ ๋งค์šฐ ์ข‹์Šต๋‹ˆ๋‹ค. ์•„๋ฅดํ—ค๋ฆฌ์น˜์˜ ๋ฐ”ํ ๋งค๋ ฅ์žˆ์ฃ .

โ€‹๋ ˆ์ด๋ธ”: Deutsche Grammophon MG 1249
โ€‹ํ˜•์‹: ์—˜ํ”ผ (Vinyl, 1LP, Stereo, Yellow Label)
โ€‹๊ตญ๊ฐ€: ์ผ๋ณธ
โ€‹๋…น์Œ : 1979๋…„ 2์›” 5์ผ (๋ฒ ๋ฅผ๋ฆฐ)
โ€‹๋ฐœ๋งค์ผ: 1980๋…„ 3์›” (์ผ๋ณธ DG ์˜ค๋ฆฌ์ง€๋„ ์ดˆ๋ฐ˜๋ณธ)
โ€‹์—ฐ์ฃผ: Martha Argerich - Piano
โ€‹์žฅ๋ฅด: ํด๋ž˜์‹ (Classical) / ๋…์ฃผ๊ณก (Instrumental)

โ€‹๊ฑด๋ฐ˜ ์œ„์˜ ์—ฌ์ œ ๋งˆ๋ฅดํƒ€ ์•„๋ฅดํ—ค๋ฆฌ์น˜(Martha Argerich)๊ฐ€ ๋‚จ๊ธด ์—ญ์‚ฌ์ ์ธ ๋ฐ”ํ ๋ช…์—ฐ์ง‘์ž…๋‹ˆ๋‹ค. ๋‚ญ๋งŒ์ฃผ์˜์™€ ํ˜„๋Œ€ ์Œ์•…์—์„œ ์••๋„์ ์ธ ์—ด์ •์„ ๋ณด์—ฌ์ฃผ๋˜ ์•„๋ฅดํ—ค๋ฆฌ์น˜๊ฐ€ ํŠน์œ ์˜ ๋ถˆ๊ฝƒ๊ฐ™์€ ํƒ€๊ฑด๊ณผ ์—ญ๋™์ ์ธ ๋ฆฌ๋“ฌ๊ฐ์œผ๋กœ ๋ฐ”ํ์˜ ๊ฑด๋ฐ˜ ์Œ์•…์„ ํ˜„๋Œ€ ํ”ผ์•„๋…ธ๋กœ ์™„๋ฒฝํ•˜๊ฒŒ ์žฌํ•ด์„ํ•ด๋‚ธ ๋ช…๋ฐ˜์ž…๋‹ˆ๋‹ค.

โ€‹โ–  Special History
โ€ข โ€‹์•„๋ฅดํ—ค๋ฆฌ์น˜ ๊ณ ์œ ์˜ ๋…๋ณด์ ์ธ ๋ฐ”ํ ํ•ด์„: ๋ฐ”ํ๋ฅผ ์ณ„๋ฐœ๋กœ๋‚˜ ํ•˜ํ”„์‹œ์ฝ”๋“œ์˜ ์ •์ ์ธ ํ‹€์— ๊ฐ€๋‘์ง€ ์•Š๊ณ , ํ˜„๋Œ€ ๊ทธ๋žœ๋“œ ํ”ผ์•„๋…ธ๊ฐ€ ๊ฐ€์ง„ ํ‘œํ˜„๋ ฅ์„ ํ’€ ๊ฐ€๋™ํ•˜์—ฌ ์ƒ๋™๊ฐ ๋„˜์น˜๋Š” ์Œ์•…์œผ๋กœ ๋ถ€ํ™œ์‹œ์ผฐ๋‹ค๋Š” ์ ์—์„œ ํ‰๋‹จ์˜ ๊ทน์ฐฌ์„ ๋ฐ›์•˜์Šต๋‹ˆ๋‹ค.

โ€ข โ€‹๋””์ง€ํ„ธ ๋„์ž… ์ง์ „ DG ์•„๋‚ ๋กœ๊ทธ ๊ธฐ์ˆ ์˜ ์ •์ : 1979๋…„ ๋ฒ ๋ฅผ๋ฆฐ ์ŠคํŠœ๋””์˜ค ๋…น์Œ์œผ๋กœ, ์•„๋‚ ๋กœ๊ทธ ๋…น์Œ ํ™ฉ๊ธˆ๊ธฐ์˜ ์ •๋ฐ€ํ•จ์ด ๊ณ ์Šค๋ž€ํžˆ ๋‹ด๊ฒจ ์žˆ์Šต๋‹ˆ๋‹ค. ์•„๋ฅดํ—ค๋ฆฌ์น˜ ๊ณ ์œ ์˜ ๋น ๋ฅด๊ณ  ๊ฐ•๋ ฌํ•œ ํƒ€๊ฑด๊ณผ ํ”ผ์•„๋…ธ ๋‚ด๋ถ€์˜ ํ’๋ถ€ํ•œ ๋ฐฐ์Œ์ด ์†Œ๋ฆฌ๊ณจ์— ๋ง‘๊ณ  ๊นŠ๊ฒŒ ์ƒˆ๊ฒจ์ ธ ์žˆ์Šต๋‹ˆ๋‹ค.

โ€‹โ–  ๋Œ€ํ‘œ ์ˆ˜๋ก๊ณก ์ •๋ณด
โ€ข โ€‹ํ† ์นดํƒ€ ๋‹ค๋‹จ์กฐ, BWV 911 (Side A - 1๋ฒˆ ํŠธ๋ž™)
๋ฐ”ํ์˜ ์ Š์€ ์‹œ์ ˆ ์ •์—ด์ด ๋…น์•„์žˆ๋Š” ๊ณก์œผ๋กœ, ์ž์œ ๋กญ๊ณ  ํ™˜์ƒ๊ณกํ’์˜ ๋„์ž…๋ถ€์— ์ด์–ด ์น˜๋ฐ€ํ•˜๊ณ  ์ •๊ตํ•œ ํ‘ธ๊ฐ€๊ฐ€ ์ „๊ฐœ๋ฉ๋‹ˆ๋‹ค. ์•„๋ฅดํ—ค๋ฆฌ์น˜ ํŠน์œ ์˜ ๊ฑฐ์นจ์—†๋Š” ์†๋„๊ฐ๊ณผ ๋ช…์ง•ํ•œ ํ„ฐ์น˜๊ฐ€ ๊ณก์˜ ๋“œ๋ผ๋งˆํ‹ฑํ•œ ๊ธด์žฅ๊ฐ์„ ๊ทน๋Œ€ํ™”ํ•ฉ๋‹ˆ๋‹ค.

โ€ข โ€‹ํŒŒ๋ฅดํ‹ฐํƒ€ 2๋ฒˆ ๋‹จ์กฐ, BWV 826(Side A - 2๋ฒˆ ํŠธ๋ž™)
์›…์žฅํ•œ ์‹ ํฌ๋‹ˆ์•„๋กœ ์‹œ์ž‘ํ•˜์—ฌ ๋‹ค์–‘ํ•œ ๋ฌด๊ณก๋“ค์ด ์ด์–ด์ง€๋Š” ๋ฐ”ํ ๊ฑด๋ฐ˜ ์กฐ๊ณก์˜ ์ •์ˆ˜์ž…๋‹ˆ๋‹ค. ์•„๋ฅดํ—ค๋ฆฌ์น˜๋Š” ํŠน์œ ์˜ ํƒ„๋ ฅ์ ์ธ ๋ฆฌ๋“ฌ๊ฐ์œผ๋กœ ๋ฌด๊ณก ๊ณ ์œ ์˜ ์ƒ๋™๊ฐ์„ ํ™”๋ คํ•˜๊ฒŒ ์‚ด๋ ค๋ƒ…๋‹ˆ๋‹ค.

โ€ข โ€‹์˜๊ตญ ์กฐ๊ณก 2๋ฒˆ ๊ฐ€๋‹จ์กฐ, BWV 807 (Side B)
์ค‘ํ›„ํ•˜๊ณ  ๊ฐ•๋ ฌํ•œ ์ „์ฃผ๊ณก(Prelude)์„ ์‹œ์ž‘์œผ๋กœ ํ”„๋ž‘์Šคํ’ ๋ฌด๊ณก๋“ค์ด ์ •๊ตํ•˜๊ฒŒ ๋ฐฐ์—ด๋œ ๋ช…์ž‘์ž…๋‹ˆ๋‹ค. ์•„๋ฅดํ—ค๋ฆฌ์น˜์˜ ํƒ€๊ฑด์€ ํ•œ ์น˜์˜ ํํŠธ๋Ÿฌ์ง๋„ ์—†์ด ํˆฌ๋ช…ํ•˜๊ฒŒ ๋น›๋‚˜๋ฉฐ ๊นŠ์€ ์Œ์˜์„ ๋งŒ๋“ค์–ด๋ƒ…๋‹ˆ๋‹ค.

โ€‹โ–  ํŠธ๋ž™๋ฆฌ์ŠคํŠธ
โ€‹SIDE A
โ€‹Toccata in C minor, BWV 911 (ํ† ์นดํƒ€ ๋‹ค๋‹จ์กฐ)
โ€‹Partita No.2 in C minor, BWV 826 (ํŒŒ๋ฅดํ‹ฐํƒ€)
โ€‹Sinfonia / Allemande / Courante / Sarabande / Rondeau / Capriccio
โ€‹SIDE B
โ€‹English Suite No.2 in A minor, BWV 807
(์˜๊ตญ ์กฐ๊ณก ์ œ2๋ฒˆ ๊ฐ€๋‹จ์กฐ BWV 807)
โ€‹Prรฉlude / Allemande / Courante / Sarabande / Bourrรฉe I ยท II / Gigue
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