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[BUNJANG] Glenn Gould Plays Bach: Inventions & Sinfonias (First Pressing LP) / ๊ธ€๋ Œ ๊ตด๋“œ: ๋ฐ”ํ 2์„ฑ & 3์„ฑ ์ธ๋ฒค์…˜(์ธ๋ฒค์…˜๊ณผ ์‹ ํฌ๋‹ˆ์•„)์ „๊ณก LP ํ”ผ์•„๋…ธ

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Description
### Glenn Gould: J.S. Bach - The Two and Three Part Inventions (Inventions & Sinfonias) LP

Experience the masterful interpretation of J.S. Bach's keyboard masterpieces by the legendary Glenn Gould.

**Pianist:** Glenn Gould
**Album:** The Two and Three Part Inventions (Inventions & Sinfonias)

**About the Artist:**
* Voted one of the greatest pianists of all time by the BBC.
* Inducted into the Gramophone Hall of Fame.
* Recipient of the Grammy Lifetime Achievement Award (2012).
* His 1955 recording of the Goldberg Variations is part of the permanent collection at the U.S. Library of Congress.

**Condition:**
* Jacket: EX (Excellent)
* Record: NM~EX+ (Near Mint to Excellent Plus)

The vinyl exhibits a clean, glossy surface with minimal micro-scratches visible under light, not affecting playback. Audio playback is generally excellent, with only occasional, faint surface noise from micro-dust or static.

**Details:**
* **Label:** CBS/Sony (SOCL 1028)
* **Format:** Vinyl, LP, Stereo, First Pressing
* **Country:** Japan (CBS/Sony Inc., Tokyo, Japan)
* **Recording Dates:** March 1963 - March 1964
* **Recording Location:** 30th Street Studio, New York, USA
* **Release Date:** 1974 (Japanese First Pressing)
* **Genre:** Classical / Keyboard / Baroque

**Musical Interpretation:**
This iconic recording features Glenn Gould's unique approach to Bach's Inventions and Sinfonias. Gould's meticulous analysis of voices, original articulation, and clear touch redefine these pieces, elevating them into unparalleled works of art. Listen for the distinct vocalizations characteristic of Gould's performances, bringing each voice to life as if in a vibrant conversation.

This is an original first pressing from the SOCL series released by CBS/Sony in Japan.

**About the Works:**
* **Beyond Pedagogical Pieces: Unrivaled Counterpoint Aesthetics:** Originally composed by Bach to educate his sons and students, these pieces comprise 15 Two-Part Inventions and 15 Three-Part Inventions (Sinfonias). Despite their concise structures, they showcase Bach's intricate contrapuntal harmony and melodic richness, representing the perfect geometric beauty of keyboard music.
* **Gould's Three-Dimensional and Rhythmic Interpretation:** Gould maximizes the unique character and rhythmic vitality of each movement through precise separation of voices, distinctive tempo choices, and clear non-legato articulation. He perfectly extracts the structural beauty hidden within the melodies, offering listeners profound intellectual enjoyment.

**Tracklist:**

**SIDE A**
* No. 1 in C Major
* No. 2 in C Minor
* No. 5 in E-flat Major
* No. 14 in B-flat Major
* No. 11 in G Minor
* No. 10 in G Major
* No. 15 in B Minor
* No. 7 in E Minor

**SIDE B**
* No. 6 in E Major
* No. 13 in A Minor
* No. 12 in A Major
* No. 3 in D Major
* No. 4 in D Minor
* No. 8 in F Major
* No. 9 in F Minor

โ€‹J.S. Bach: The Two and Three Part Inventions (Inventions & Sinfonias)
Glenn Gould (Piano)
[๊ธ€๋ Œ ๊ตด๋“œ: BBC ์„ ์ • ์—ญ๋Œ€ ์ตœ๊ณ ์˜ ํ”ผ์•„๋‹ˆ์ŠคํŠธ
๊ทธ๋ผ๋ชจํฐ ๋ช…์˜ˆ์˜ ์ „๋‹น ํ—Œ์•ก์ž
๊ทธ๋ž˜๋ฏธ ์–ด์›Œ๋“œ ํ‰์ƒ ๊ณต๋กœ์ƒ ์ˆ˜์ƒ(2012๋…„)
๋ฏธ๊ตญ ์˜ํšŒ ๋„์„œ๊ด€ ์˜๊ตฌ ์•จ๋ฒ” ๋“ฑ์žฌ(1955 ๊ณจ๋“œ๋ฒ ๋ฅดํฌ ๋ณ€์ฃผ๊ณก) 2003๋…„ ๋“ฑ์žฌ ]

โ– ์ƒํƒœ ; ์ž์ผ“ EX / ์Œ๋ฐ˜โ€ข์ฒญ์Œ NM~EX+
์Œ๋ฐ˜ ์œก์•ˆ์œผ๋กœ ํ  ๊ธฐ์Šค์—†์ด ๊นจ๋—ํ•˜๊ณ  ๊ด‘ํƒ ์‚ด์•„์žˆ์œผ๋‚˜ ๋น›๋ฐ˜์‚ฌ๋กœ ๋ณด์ด๋Š” ๋ฏธ์„ธ ์Šค์นจ ์†Œ๋Ÿ‰. ์ฒญ์Œ ์ „๋ฐ˜์ ์œผ๋กœ ๋งค์šฐ ํ›Œ๋ฅญํ•˜๋‚˜, ๋ฏธ์„ธํ•œ ๋จผ์ง€๋‚˜ ์ •์ „๊ธฐ๋กœ ์ธํ•œ ์˜…์€ ์žก์Œ์ด ํ•œ๋‘ ๋ฒˆ ๊ฐ„ํ—์ ์œผ๋กœ ๋“ค๋ฆด ์ˆ˜ ์žˆ์Œ.

โ€‹๋ ˆ์ด๋ธ”: CBS/Sony (SOCL 1028)
ํ˜•์‹: Vinyl, LP, Stereo, First Pressing
๊ตญ๊ฐ€: Japan (CBS/Sony Inc., Tokyo, Japan)
๋…น์Œ: 1963๋…„ 3์›”~1964๋…„ 3์›” (๋ฏธ๊ตญ ๋‰ด์š•, 30๋ฒˆ๊ฐ€ ์ŠคํŠœ๋””์˜ค / 30th Street Studio, New York)
๋ฐœ๋งค: 1974๋…„ (์ผ๋ณธ ์ดˆํŒ)
์—ฐ์ฃผ: Glenn Gould (๊ธ€๋ Œ ๊ตด๋“œ)
์žฅ๋ฅด: Classical / Keyboard / Baroque

โ€‹20์„ธ๊ธฐ ๋ฐ”ํ ํ•ด์„์˜ ๊ฑฐ์žฅ ๊ธ€๋ Œ ๊ตด๋“œ๊ฐ€ ์—ฐ์ฃผํ•œ ๋ฐ”ํ์˜ <2์„ฑ ๋ฐ 3์„ฑ ์ธ๋ฒค์…˜(์ธ๋ฒค์…˜๊ณผ ์‹ ํฌ๋‹ˆ์•„)>์Œ๋ฐ˜.
โ€‹๊ธ€๋ Œ ๊ตด๋“œ๋งŒ์˜ ์น˜๋ฐ€ํ•œ ์„ฑ๋ถ€ ๋ถ„์„, ๋…์ฐฝ์ ์ธ ์•„ํ‹ฐํ˜๋ ˆ์ด์…˜, ๋ช…๋ฃŒํ•œ ํƒ€๊ฑด์œผ๋กœ ์™„์ „ํžˆ ์žฌํ•ด์„ํ•˜์—ฌ ๋…๋ณด์ ์ธ ์˜ˆ์ˆ  ์ž‘ํ’ˆ์œผ๋กœ ๋Œ์–ด์˜ฌ๋ฆฐ ๋ช…์Œ๋ฐ˜์ž…๋‹ˆ๋‹ค.

๊ตด๋“œ ํŠน์œ ์˜ ํฅ์–ผ๊ฑฐ๋ฆผ๊ณผ ํ•จ๊ป˜ ๊ฐ ์„ฑ๋ถ€๊ฐ€ ๋งˆ์น˜ ๋‹ค์ฑ„๋กœ์šด ๋Œ€ํ™”์ฒ˜๋Ÿผ ์‚ด์•„ ์›€์ง์ด๋Š” ๋ช…์—ฐ์„ ๊ฐ์ƒํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
โ€‹์ผ๋ณธ CBS/Sony์—์„œ ๋ฐœ๋งค๋œ SOCL ์‹œ๋ฆฌ์ฆˆ ์˜ค๋ฆฌ์ง€๋„ ์ดˆ๋ฐ˜(First Pressing) ์ž…๋‹ˆ๋‹ค.

์ž‘ํ’ˆ ๋ฐ ์—ฐ์ฃผ ์†Œ๊ฐœ
โ€‹โœ” ํ•™์Šต๊ณก์„ ๋„˜์–ด์„œ๋Š” ๋…๋ณด์  ๋Œ€์œ„๋ฒ• ๋ฏธํ•™:
๋ณธ๋ž˜ ๋ฐ”ํ๊ฐ€ ์•„๋“ค ๋นŒํ—ฌ๋ฆ„ ํ”„๋ฆฌ๋ฐ๋งŒ ๋ฐ”ํ๋ฅผ ๋น„๋กฏํ•œ ์ œ์ž๋“ค์˜ ์—ฐ์ฃผ ๊ธฐ์ˆ ๊ณผ ์ž‘๊ณก ๊ธฐ๋ฒ• ๊ต์œก์„ ์œ„ํ•ด ์“ด ๊ณก๋“ค๋กœ, 2์„ฑ ์ธ๋ฒค์…˜ 15๊ณก๊ณผ 3์„ฑ ์ธ๋ฒค์…˜(์‹ ํฌ๋‹ˆ์•„) 15๊ณก์œผ๋กœ ๊ตฌ์„ฑ๋˜์–ด ์žˆ์Šต๋‹ˆ๋‹ค. ์งง์€ ๊ตฌ์กฐ ์†์—์„œ๋„ ๋ฐ”ํ ํŠน์œ ์˜ ์ •๊ตํ•œ ๋Œ€์œ„๋ฒ•์  ์กฐํ™”์™€ ๋‹ค์ฑ„๋กœ์šด ์„ ์œจ๋ฏธ๊ฐ€ ๊ฒฐํ•ฉ๋˜์–ด ์žˆ์–ด, ๊ฑด๋ฐ˜ ์Œ์•…์˜ ์™„๋ฒฝํ•œ ๊ธฐํ•˜ํ•™์  ๋ฏธํ•™์„ ๋ณด์—ฌ์ฃผ๋Š” ๋ช…์ž‘์ž…๋‹ˆ๋‹ค.

โ€‹โœ” ๊ธ€๋ Œ ๊ตด๋“œ๋งŒ์˜ ์ž…์ฒด์ ์ด๊ณ  ๋ฆฌ๋“œ๋ฏธ์ปฌํ•œ ํ•ด์„:
๊ตด๋“œ๋Š” ๊ฐ ์„ฑ๋ถ€์˜ ๋ช…ํ™•ํ•œ ๋ถ„๋ฆฌ์™€ ๋…์ฐฝ์ ์ธ ํ…œํฌ ์„ค์ •, ๋ช…์พŒํ•œ ๋…ผ๋ ˆ๊ฐ€ํ†  ํƒ€๊ฑด์„ ํ†ตํ•ด ๊ฐ ์•…์žฅ์ด ์ง€๋‹Œ ๊ณ ์œ ์˜ ์บ๋ฆญํ„ฐ์™€ ๋…์ฐฝ์ ์ธ ๋ฆฌ๋“ฌ๊ฐ์„ ๊ทน๋Œ€ํ™”ํ–ˆ์Šต๋‹ˆ๋‹ค. ๋‹จ์ˆœํ•œ ์„ ์œจ ๋’ค์— ์ˆจ๊ฒจ์ง„ ๊ตฌ์กฐ์  ์•„๋ฆ„๋‹ค์›€์„ ์™„๋ฒฝํ•˜๊ฒŒ ์ถ”์ถœํ•˜์—ฌ ๋“ฃ๋Š” ์ด์—๊ฒŒ ๊นŠ์€ ์ง€์  ์ฆ๊ฑฐ์›€์„ ์„ ์‚ฌํ•ฉ๋‹ˆ๋‹ค.

โ€‹ํŠธ๋ž™๋ฆฌ์ŠคํŠธ
โ€‹SIDE A
โ€‹์ œ1๋ฒˆ ๋‹ค์žฅ์กฐ (No. 1 in C Major)
โ€‹์ œ2๋ฒˆ ๋‹ค๋‹จ์กฐ (No. 2 in C Minor)
โ€‹์ œ5๋ฒˆ ๋‚ด๋ฆผ๋งˆ์žฅ์กฐ (No. 5 in E-flat Major)
โ€‹์ œ14๋ฒˆ ๋‚ด๋ฆผ๋‚˜์žฅ์กฐ (No. 14 in B-flat Major)
โ€‹์ œ11๋ฒˆ ์‚ฌ๋‹จ์กฐ (No. 11 in G Minor)
โ€‹์ œ10๋ฒˆ ์‚ฌ์žฅ์กฐ (No. 10 in G Major)
โ€‹์ œ15๋ฒˆ ๋‚˜๋‹จ์กฐ (No. 15 in B Minor)
โ€‹์ œ7๋ฒˆ ๋งˆ๋‹จ์กฐ (No. 7 in E Minor)
โ€‹SIDE B
โ€‹์ œ6๋ฒˆ ๋งˆ์žฅ์กฐ (No. 6 in E Major)
โ€‹์ œ13๋ฒˆ ๊ฐ€๋‹จ์กฐ (No. 13 in A Minor)
โ€‹์ œ12๋ฒˆ ๊ฐ€์žฅ์กฐ (No. 12 in A Major)
โ€‹์ œ3๋ฒˆ ๋ผ์žฅ์กฐ (No. 3 in D Major)
โ€‹์ œ4๋ฒˆ ๋ผ๋‹จ์กฐ (No. 4 in D Minor)
โ€‹์ œ8๋ฒˆ ๋ฐ”์žฅ์กฐ (No. 8 in F Major)
โ€‹์ œ9๋ฒˆ ๋ฐ”๋‹จ์กฐ (No. 9 in F Minor)
โ€‹
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