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[BUNJANG] Nelson Freire Tchaikovsky Piano Concerto No. 1 & Liszt Totentanz LP / ๋„ฌ์† ํ”„๋ ˆ์ด๋ ˆ: ์ฐจ์ด์ฝฅ์Šคํ‚ค ํ”ผ์•„๋…ธ ํ˜‘์ฃผ๊ณก 1๋ฒˆ & ๋ฆฌ์ŠคํŠธ ์ฃฝ์Œ์˜ ๋ฌด๋„LP

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Description
## Nelson Freire: Tchaikovsky Piano Concerto No. 1 & Liszt Totentanz LP

Experience a monumental recording featuring the virtuosic Brazilian pianist Nelson Freire, renowned for his artistic partnership with Martha Argerich. This LP captures Freire's explosive playing in his youth, accompanied by the robust and grand orchestral sound of the Munich Philharmonic under the baton of the master conductor Rudolf Kempe.

**Featuring:
* **Tchaikovsky:** Piano Concerto No. 1 in B-flat minor, Op. 23
* **Liszt:** Totentanz (Paraphrase on the "Dies irae")

**Details:**
* **Label:** CBS Sony (SONC 10329)
* **Format:** LP (Stereo)
* **Country:** Japan
* **Recording Year:** 1968
* **Release:** First Pressing (Japan CBS Sony, 1969-1970)
* **Mastering:** High-quality 'SX68 SOUND' mastering
* **Jacket:** Gatefold, EX condition, well-maintained.
* **Record:** NM ~ EX+ condition. Visually free of scratches, with minimal faint scuffs visible under light. Minor surface noise, mostly NM.

**Performance Highlights:**
* **Freire's Virtuosity:** At just 20 years old, Freire delivers a performance noted for its powerful touch and breathtaking speed. Critics hailed his rendition of Liszt's "Totentanz" as comparable to Horowitz.
* **Tchaikovsky's Majesty:** The iconic opening of Tchaikovsky's First Concerto is powerfully rendered, with Freire's unbridled scale complementing Kempe's profound interpretation, amplifying the work's Slavic romanticism and dramatic flair.
* **Liszt's Fury:** Freire masterfully captures the macabre and grotesque atmosphere of "Totentanz," based on the "Dies Irae" chant, offering a thrilling experience for audiophiles.

**Tracklist:**
**SIDE 1**
TCHAIKOVSKY: CONCERTO No. 1 IN B-FLAT MINOR FOR PIANO AND ORCHESTRA, Op. 23
* I. Allegro non troppo e molto maestoso - Allegro con spirito
* II. Andantino semplice - Prestissimo - Andante semplice

**SIDE 2**
* III. Allegro con fuoco
LISZT: TOTENTANZ - Paraphrase on the "Dies irae" for Piano and Orchestra

Tchaikovsky: Piano Concerto No. 1 &
Liszt: Totentanz
Nelson Freire / Rudolf Kempe

โ– ์ƒํƒœ ; ์ž์ผ“ EX / ์Œ๋ฐ˜โ€ข์ฒญ์Œ NM ~EX+
๊ฒ‰๋ฉด์˜ ๊นจ๋—ํ•จ์„ ์ž˜ ์œ ์ง€ํ•˜๊ณ  ์žˆ๋Š” ๊ฒŒ์ดํŠธํด๋“œ ์ž์ผ“.
์Œ๋ฐ˜์— ์œก์•ˆ์œผ๋กœ ํ ์ด๋‚˜ ๊ธฐ์Šค๋Š” ๋ณด์ด์ง€ ์•Š์œผ๋‚˜ ๋น›๋ฐ˜์‚ฌ๋กœ ์—ฐํ•œ ์Šค์นจ ์žˆ์Œ. ๋ฏธ์„ธ ์žก์Œ ์†Œ๋Ÿ‰, ๊ฑฐ์˜ NM.

โ€‹๋ ˆ์ด๋ธ”: CBS SONY (SONC 10329)
โ€‹ํ˜•์‹: ์—˜ํ”ผ (Stereo / ์ดˆํŒ)
โ€‹๊ตญ๊ฐ€: ์ผ๋ณธ
โ€‹๋…น์Œ ์—ฐ๋„: 1968๋…„
โ€‹๋ฐœ๋งค: 1969๋…„~1970๋…„ ์ดˆ๋ฐ˜ (์ผ๋ณธ CBS SONY ์˜ค๋ฆฌ์ง€๋„ ์ฒซ ๋ฒˆ์งธ ํ”„๋ ˆ์‹ฑ / First Pressing)
โ€‹์—ฐ์ฃผ์ž:
โ€‹๋„ฌ์† ํ”„๋ ˆ์ด๋ ˆ (Nelson Freire, ํ”ผ์•„๋…ธ)
โ€‹๋ฃจ๋Œํ”„ ์ผํŽ˜ (Rudolf Kempe, ์ง€ํœ˜)
โ€‹๋ฎŒํ—จ ํ•„ํ•˜๋ชจ๋‹‰ ์˜ค์ผ€์ŠคํŠธ๋ผ (Mรผnchner Philharmoniker)
โ€‹
โ€‹๋ธŒ๋ผ์งˆ์ด ๋‚ณ์€ 20์„ธ๊ธฐ ์ตœ๊ณ ์˜ ๋น„๋ฅดํˆฌ์˜ค์†Œ ํ”ผ์•„๋‹ˆ์ŠคํŠธ ์ด์ž ๋งˆ๋ฅดํƒ€ ์•„๋ฅดํ—ค๋ฆฌ์น˜์˜ ํ‰์ƒ์— ๊ฑธ์นœ ์˜ˆ์ˆ ์  ๋™๋ฐ˜์ž๋กœ ์ž˜ ์•Œ๋ ค์ง„ ๋„ฌ์† ํ”„๋ ˆ์ด๋ ˆ์˜ ์ Š์€ ์‹œ์ ˆ ํญ๋ฐœ์ ์ธ ํƒ€๊ฑด์„ ๋งŒ๋‚  ์ˆ˜ ์žˆ๋Š” ๊ธฐ๋…๋น„์ ์ธ ๋ช…๋ฐ˜์ž…๋‹ˆ๋‹ค. ๊ฑฐ์žฅ ๋ฃจ๋Œํ”„ ์ผํŽ˜๊ฐ€ ์ด๋„๋Š” ๋ฎŒํ—จ ํ•„ํ•˜๋ชจ๋‹‰์˜ ๊ฒฌ๊ณ ํ•˜๊ณ  ์Šค์ผ€์ผ ํฐ ๊ด€ํ˜„์•… ์‚ฌ์šด๋“œ ์œ„๋กœ, ํ”„๋ ˆ์ด๋ ˆ๋Š” ์ฐจ์ด์ฝฅ์Šคํ‚ค์˜ ์›…์žฅํ•จ๊ณผ ๋ฆฌ์ŠคํŠธ์˜ ์ดˆ์ ˆ๊ธฐ๊ต์  ๊ด‘๊ธฐ๋ฅผ ๊ฑฐ์นจ์—†์ด ๋ฟœ์–ด๋ƒ…๋‹ˆ๋‹ค.

์ดˆ๊ธฐ CBS SONY์˜ ๊ณ ์Œ์งˆ'SX68 SOUND' ๋งˆ์Šคํ„ฐ๋ง ์˜ค๋ฆฌ์ง€๋„ First Pressing, ๊ฒŒ์ดํŠธํด๋“œ.

โ€‹โ–  Special History & Significance
โ€ข โ€‹์„ธ๊ณ„ ์Œ์•…๊ณ„๋ฅผ ๋†€๋ผ๊ฒŒ ํ•œ 20๋Œ€ ํ”„๋ ˆ์ด๋ ˆ์˜ ์••๋„์  ๊ธฐ๊ต: ๋„ฌ์† ํ”„๋ ˆ์ด๋ ˆ๊ฐ€ 20๋Œ€ ์ค‘๋ฐ˜์˜ ๋‚˜์ด์— ๋‚จ๊ธด ์ด ๋…น์Œ์€ ๊ทธ์˜ ์ „์„ค์ ์ธ ์ปค๋ฆฌ์–ด ์ค‘์—์„œ๋„ ๊ฐ€์žฅ ๊ฐ•๋ ฅํ•œ ํƒ€๊ฑด๊ณผ ์••๋„์ ์ธ ์Šคํ”ผ๋“œ๋ฅผ ๋ณด์—ฌ์ฃผ๋Š” ์Œ๋ฐ˜์œผ๋กœ ์†๊ผฝํž™๋‹ˆ๋‹ค. ํŠนํžˆ ๋ฆฌ์ŠคํŠธ์˜ '์ฃฝ์Œ์˜ ๋ฌด๋„'์—์„œ ๋ณด์—ฌ์ฃผ๋Š” ํƒ€์•…๊ธฐ์ ์ธ ์—๋„ˆ์ง€์™€ ๊ด‘๊ธฐ ์–ด๋ฆฐ ์นด๋ด์ž๋Š” ํ‰๋ก ๊ฐ€๋“ค๋กœ๋ถ€ํ„ฐ "ํ˜ธ๋กœ๋น„์ธ ์— ํ•„์ ํ•˜๋Š” ๋ช…์—ฐ"์ด๋ผ๋Š” ๊ทน์ฐฌ์„ ๋ฐ›์•˜์Šต๋‹ˆ๋‹ค.

โ€‹โ–  ๋Œ€ํ‘œ๊ณก ๋ฐ ๊ฐ์ƒํฌ์ธํŠธ
โ€ข โ€‹์ฐจ์ด์ฝฅ์Šคํ‚ค: ํ”ผ์•„๋…ธ ํ˜‘์ฃผ๊ณก 1๋ฒˆ ์ œ1์•…์žฅ
โ€‹ํ˜ธ๋ฅธ์˜ ์œ ๋ คํ•œ ์šธ๋ฆผ์— ์ด์–ด ํ”ผ์•„๋…ธ์˜ ๊ฐ•๋ ฅํ•œ ํ™”์Œ์ด ์‹ฌ์žฅ์„ ๋‘๋“œ๋ฆฌ๋Š” ํด๋ž˜์‹ ์—ญ์‚ฌ์ƒ ๊ฐ€์žฅ ์œ ๋ช…ํ•œ ๋„์ž…๋ถ€๋ฅผ ์ž๋ž‘ํ•ฉ๋‹ˆ๋‹ค. ์ฒญ๋…„ ํ”„๋ ˆ์ด๋ ˆ์˜ ๊ฑฐ์นจ์—†๋Š” ์Šค์ผ€์ผ๊ณผ ๋ฃจ๋Œํ”„ ์ผํŽ˜์˜ ์ค‘ํ›„ํ•œ ํ•ด์„์ด ๋งŒ๋‚˜ ๊ณก ํŠน์œ ์˜ ์Šฌ๋ผ๋ธŒ์  ๋‚ญ๋งŒ์ฃผ์˜์™€ ๋“œ๋ผ๋งˆํ‹ฑํ•œ ๋งค๋ ฅ์„ ๊ทนํ•œ์œผ๋กœ ๋Œ์–ด์˜ฌ๋ฆฝ๋‹ˆ๋‹ค.
โ€ข โ€‹๋ฆฌ์ŠคํŠธ: ์ฃฝ์Œ์˜ ๋ฌด๋„ (Totentanz, S.126)
โ€‹์ค‘์„ธ ์„ฑ๊ฐ€ '๋ถ„๋…ธ์˜ ๋‚ (Dies Irae)' ํ…Œ๋งˆ๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ํ•œ ํ”ผ์•„๋…ธ์™€ ๊ด€ํ˜„์•…์„ ์œ„ํ•œ ํ™˜์ƒ๊ณก์ž…๋‹ˆ๋‹ค. ์ฃฝ์Œ์˜ ๊ณตํฌ์™€ ๊ทธ๋กœํ…Œ์Šคํฌํ•œ ๋ถ„์œ„๊ธฐ๋ฅผ ๋„ฌ์† ํ”„๋ ˆ์ด๋ ˆ ํŠน์œ ์˜ ์ดˆ์ ˆ๊ธฐ๊ต ์—ฐ์ฃผ๋กœ ์™„๋ฒฝํ•˜๊ฒŒ ์žฌํ˜„ํ•˜์—ฌ, ์˜ค๋””์˜คํŒŒ์ผ์šฉ ๋ ˆํผํ† ๋ฆฌ๋กœ์„œ ์งœ๋ฆฟํ•œ ์พŒ๊ฐ์„ ์„ ์‚ฌํ•ฉ๋‹ˆ๋‹ค.

โ€‹โ–  ํŠธ๋ž™๋ฆฌ์ŠคํŠธ
โ€‹SIDE 1
โ€‹TCHAIKOVSKY: CONCERTO No. 1 IN B-FLAT MINOR FOR PIANO AND ORCHESTRA, Op. 23
โ€‹์ œ1์•…์žฅ: I. Allegro non troppo e molto maestoso - Allegro con spirito
โ€‹์ œ2์•…์žฅ: II. Andantino semplice - Prestissimo - Andante semplice
โ€‹SIDE 2
โ€‹์ œ3์•…์žฅ: III. Allegro con fuoco
โ€‹๋ฆฌ์ŠคํŠธ: ์ฃฝ์Œ์˜ ๋ฌด๋„ ใ€ˆ๋ถ„๋…ธ์˜ ๋‚ ใ€‰์— ์˜ํ•œ ํŒŒ๋ผํ”„๋ ˆ์ด์ฆˆ
(LISZT: TOTENTANZ - Paraphrase on the "Dies irae" for Piano and Orchestra)
โ€‹์ฃฝ์Œ์˜ ๋ฌด๋„ (Totentanz)
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