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[BUNJANG] Glenn Gould: Bach The Well-Tempered Clavier Book I 2LP / 2LP] ๊ธ€๋ Œ ๊ตด๋“œ: ๋ฐ”ํ ํ‰๊ท ์œจ ํด๋ผ๋น„์–ด ๊ณก์ง‘ 1๊ถŒ, BWV846-869,24๊ณก

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Description
Experience the masterful interpretation of J.S. Bach's "The Well-Tempered Clavier Book I, BWV 846โ€“869" by the legendary Glenn Gould (Piano).

Recognized as one of the greatest pianists of all time, Glenn Gould's legacy includes honors such as being inducted into the Gramophone Hall of Fame and receiving the Grammy Lifetime Achievement Award. His iconic 1955 recording of the Goldberg Variations is permanently part of the collection at the U.S. Library of Congress.

**Condition:**
* **Jacket:** EX+
* **Record:** NM~EX+ (Visually free of scratches or defects, with minor superficial scuffs from handling. Clean playback.)
* **Audio:** Occasional minor surface noise, but overall excellent listening experience.

**Details:**
* **Label:** CBS/Sony (40AC 15589)
* **Format:** Vinyl, 2LP, Stereo, First Pressing
* **Country:** Japan
* **Recorded:** 1962, 1965 (30th Street Studio, New York, USA)
* **Release:** 1980 (First pressing on CBS/Sony's "Best Classics 100" series in Japan)
* **Artist:** Glenn Gould (Piano)
* **Genre:** Classical / Keyboard / Baroque

This 2LP gatefold album features Glenn Gould's complete rendition of Bach's "The Well-Tempered Clavier, Book I," often referred to as the "Old Testament" of keyboard music. Gould's signature non-legato touch, distinct voice leading, and unique tempo interpretations are fully realized, presenting a clear and็ซ‹ไฝ“ (three-dimensional) sound that illuminates the complex contrapuntal structures.

This release is a premium edition from the 1980 Japanese CBS/Sony Masterworks "Best Classics 100" series.

**About the Work:**
Bach's monumental masterpiece, "The Well-Tempered Clavier," demonstrates the infinite possibilities of keyboard instruments across all 24 major and minor keys. Gould imbues each piece with a distinct timbre and breath, offering listeners deep immersion.

**Featured Tracks:**
* **Prelude and Fugue No. 1 in C Major, BWV 846:** One of the most recognized preludes, Gould's rendition features a pure and transparent arpeggiated melody achieved through precise touch and restrained pedaling.
* **Prelude and Fugue No. 2 in C Minor, BWV 847:** Following an intense prelude, this piece showcases intricate counterpoint in its three-part fugue. Gould's characteristic clear articulation and rhythmic interpretation shine here.

**Tracklist:**
**RECORD 1**
* **SIDE A:** Prelude and Fugue No. 1 in C Major, BWV 846 ~ Prelude and Fugue No. 7 in E-flat Major, BWV 852
* **SIDE B:** Prelude and Fugue No. 8 in E-flat Minor, BWV 853 ~ Prelude and Fugue No. 12 in F Minor, BWV 857

**RECORD 2**
* **SIDE A:** Prelude and Fugue No. 13 in F-sharp Major, BWV 858 ~ Prelude and Fugue No. 18 in G-sharp Minor, BWV 863
* **SIDE B:** Prelude and Fugue No. 19 in A Major, BWV 864 ~ Prelude and Fugue No. 24 in B Minor, BWV 869

J.S. Bach: The Well-Tempered Clavier Book I, BWV 846โ€“869
Glenn Gould (Piano)
[๊ธ€๋ Œ ๊ตด๋“œ: BBC ์„ ์ • ์—ญ๋Œ€ ์ตœ๊ณ ์˜ ํ”ผ์•„๋‹ˆ์ŠคํŠธ, ๊ทธ๋ผ๋ชจํฐ ๋ช…์˜ˆ์˜ ์ „๋‹น ํ—Œ์•ก์ž, ๊ทธ๋ž˜๋ฏธ ์–ด์›Œ๋“œ ํ‰์ƒ ๊ณต๋กœ์ƒ ์ˆ˜์ƒ(2013๋…„), ๋ฏธ๊ตญ ์˜ํšŒ ๋„์„œ๊ด€ ์˜๊ตฌ ๋“ฑ์žฌ ์•จ๋ฒ”(1955 ๊ณจ๋“œ๋ฒ ๋ฅดํฌ ๋ณ€์ฃผ๊ณก, 2012๋…„ ๋“ฑ์žฌ)]

โ– ์ƒํƒœ ; ์ž์ผ“ EX+ / ์Œ๋ฐ˜โ€ข์ฒญ์Œ NM~EX+
๊นจ๋—ํ•˜๊ณ  ํƒ„ํƒ„ํ•œ ๊ฒŒ์ดํŠธํด๋“œ ์ž์ผ“. ์Œ๋ฐ˜์€ ์œก์•ˆ์œผ๋กœ ๋ณด์ด๋Š” ๊ธฐ์Šค๋‚˜ ํ ์—†์ด ๋น›๋ฐ˜์‚ฌ ๋ฏธ์„ธ ์Šค์นจ ์†Œ๋Ÿ‰. ๊นจ๋—.
์ฒญ์Œ์€ ๊ฐ„ํ—์  ๋ฏธ์„ธ ๋จผ์ง€ ์žก์Œ ์†Œ๋Ÿ‰, ๊ฐ์ƒ ์ข‹์Šต๋‹ˆ๋‹ค.

โ€‹๋ ˆ์ด๋ธ”: CBS/Sony (40AC 15589)
ํ˜•์‹: Vinyl, 2LP, Stereo, First Pressing
๊ตญ๊ฐ€: Japan
๋…น์Œ: 1962๋…„, 1965๋…„ (๋ฏธ๊ตญ ๋‰ด์š•, 30๋ฒˆ๊ฐ€ ์ŠคํŠœ๋””์˜ค)
๋ฐœ๋งค: 1980๋…„ (์ผ๋ณธ CBS/Sony "Best Classics 100" ์‹œ๋ฆฌ์ฆˆ ์ดˆํŒ)
์—ฐ์ฃผ: Glenn Gould (๊ธ€๋ Œ ๊ตด๋“œ)
์žฅ๋ฅด: Classical / Keyboard / Baroque

โ€‹ํ”ผ์•„๋…ธ ์Œ์•…์˜ '๊ตฌ์•ฝ์„ฑ์„œ'๋กœ ๋ถˆ๋ฆฌ๋Š” ๋ฐ”ํ์˜ ํ‰๊ท ์œจ ํด๋ผ๋น„์–ด ๊ณก์ง‘ 1๊ถŒ(์ „์ฃผ๊ณก๊ณผ ํ‘ธ๊ฐ€ 1๋ฒˆ~24๋ฒˆ) ์ „๊ณก์„ ๋‹ด์€ ๊ธ€๋ Œ ๊ตด๋“œ์˜ 2LP ๊ฒŒ์ดํŠธํด๋“œ ์Œ๋ฐ˜์ž…๋‹ˆ๋‹ค.

โ€‹๋ฐ”ํ ์—ฐ์ฃผ์˜ ์ผ์ธ์ž์ธ ๊ธ€๋ Œ ๊ตด๋“œ๊ฐ€ ์„ ์‚ฌํ•˜๋Š” ํŠน์œ ์˜ ๋…ผ๋ ˆ๊ฐ€ํ†  ํƒ€๊ฑด๊ณผ ๋˜๋ ทํ•œ ์„ฑ๋ถ€ ๊ต์ฐจ, ๋…์ฐฝ์ ์ธ ํ…œํฌ ํ•ด์„์ด ๊ทน๋Œ€ํ™”๋œ ๋ช…์Œ๋ฐ˜์œผ๋กœ, ๋ณต์žกํ•œ ๋Œ€์œ„๋ฒ• ๊ตฌ์กฐ๋ฅผ ํ•œ๋ˆˆ์— ๋ณด์—ฌ์ฃผ๋“ฏ ์ž…์ฒด์ ์ด๊ณ  ๋ช…์ง•ํ•œ ์‚ฌ์šด๋“œ๋ฅผ ์„ ์‚ฌํ•ฉ๋‹ˆ๋‹ค.

1980๋…„ ์ผ๋ณธ CBS/Sony์˜ Masterworks "Best Classics 100" ๋ช…๋ฐ˜ ์‹œ๋ฆฌ์ฆˆ๋กœ ๋ฐœ๋งค๋œ ๊ณ ๊ธ‰ ์‚ฌ์–‘.

โ€‹์ž‘ํ’ˆ ๋ฐ ๋Œ€ํ‘œ๊ณก ์†Œ๊ฐœ
โ€‹โœ” ๋ฐ”ํ ๊ฑด๋ฐ˜ ์Œ์•…์˜ ์ตœ๊ณ ๋ด‰
24๊ฐœ์˜ ๋ชจ๋“  ์กฐ์„ฑ์„ ๊ฑฐ์น˜๋ฉฐ ๊ฑด๋ฐ˜ ์•…๊ธฐ์˜ ๋ฌดํ•œํ•œ ๊ฐ€๋Šฅ์„ฑ์„ ์ฆ๋ช…ํ•œ ๋ฐ”ํ์˜ ๊ฑฐ๋Œ€ํ•œ ๊ฑธ์ž‘์ž…๋‹ˆ๋‹ค. ๊ตด๋“œ๋Š” ๊ฐ ๊ณก๋งˆ๋‹ค ์™„์ „ํžˆ ์ƒˆ๋กœ์šด ์Œ์ƒ‰๊ณผ ํ˜ธํก์„ ๋ถ€์—ฌํ•˜์—ฌ ๋“ฃ๋Š” ์ด์—๊ฒŒ ๊นŠ์€ ๋ชฐ์ž…๊ฐ์„ ์•ˆ๊ฒจ์ค๋‹ˆ๋‹ค.

โ€‹โœ” Prelude and Fugue No. 1 in C Major, BWV 846 (์ „์ฃผ๊ณก๊ณผ ํ‘ธ๊ฐ€ 1๋ฒˆ)
ํ‰๊ท ์œจ ๋ชจ์Œ๊ณก ์ค‘ ๊ฐ€์žฅ ๋„๋ฆฌ ์•Œ๋ ค์ง„ ์„œ๊ณก์œผ๋กœ, ๊ตด๋“œ๋Š” ์ •๊ฐˆํ•œ ํ„ฐ์น˜์™€ ์ ˆ์ œ๋œ ํŽ˜๋‹ฌ๋ง์œผ๋กœ ์ˆœ์ˆ˜ํ•˜๊ณ  ํˆฌ๋ช…ํ•œ ์•„๋ฅดํŽ˜์ง€์˜ค ์„ ์œจ์„ ์žฌํ˜„ํ•ด๋ƒ…๋‹ˆ๋‹ค.

โ€‹โœ” Prelude and Fugue No. 2 in C Minor, BWV 847 (์ „์ฃผ๊ณก๊ณผ ํ‘ธ๊ฐ€ 2๋ฒˆ)
๊ธด์žฅ๊ฐ ๋„˜์น˜๋Š” ์ „์ฃผ๊ณก์— ์ด์–ด ์ •๊ตํ•˜๊ฒŒ ์–ฝํžˆ๋Š” 3์„ฑ ํ‘ธ๊ฐ€์˜ ๋Œ€์œ„๋ฒ• ๊ตฌ์กฐ๊ฐ€ ๋‹๋ณด์ด๋Š” ๊ณก์œผ๋กœ, ๊ตด๋“œ ํŠน์œ ์˜ ๋ช…์พŒํ•œ ์•„ํ‹ฐํ˜๋ ˆ์ด์…˜๊ณผ ๋ฆฌ๋“œ๋ฏธ์ปฌํ•œ ํ•ด์„์ด ๋น›์„ ๋ฐœํ•˜๋Š” ๋Œ€ํ‘œ ํŠธ๋ž™์ž…๋‹ˆ๋‹ค.

โ€‹ํŠธ๋ž™๋ฆฌ์ŠคํŠธ
โ€‹RECORD 1
SIDE A
โ€‹Prelude and Fugue No. 1 in C Major, BWV 846 (์ „์ฃผ๊ณก๊ณผ ํ‘ธ๊ฐ€ 1๋ฒˆ ) โ€‹~ โ€‹Prelude and Fugue No. 7 in E-flat Major, BWV 852 (์ „์ฃผ๊ณก๊ณผ ํ‘ธ๊ฐ€ 7๋ฒˆ)
โ€‹SIDE B
โ€‹Prelude and Fugue No. 8 in E-flat Minor, BWV 853 (์ „์ฃผ๊ณก๊ณผ ํ‘ธ๊ฐ€ 8๋ฒˆ)~ โ€‹Prelude and Fugue No. 12 in F Minor, BWV 857 (์ „์ฃผ๊ณก๊ณผ ํ‘ธ๊ฐ€ 12๋ฒˆ)

โ€‹RECORD 2
SIDE A
โ€‹Prelude and Fugue No. 13 in F-sharp Major, BWV 858 (์ „์ฃผ๊ณก๊ณผ ํ‘ธ๊ฐ€ 13๋ฒˆ) ~ โ€‹Prelude and Fugue No. 18 in G-sharp Minor, BWV 863 (์ „์ฃผ๊ณก๊ณผ ํ‘ธ๊ฐ€ 18๋ฒˆ)
โ€‹SIDE B
โ€‹Prelude and Fugue No. 19 in A Major, BWV 864 (์ „์ฃผ๊ณก๊ณผ ํ‘ธ๊ฐ€ 19๋ฒˆ)~Prelude and Fugue No. 24 in B Minor, BWV 869 (์ „์ฃผ๊ณก๊ณผ ํ‘ธ๊ฐ€ 24๋ฒˆ)
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